Jeff Wayne's Musical Version of The War of the Worlds – The New Generation is a 2012 concept album by Jeff Wayne and is a follow-up to his 1978 concept album, retelling the story of The War of the Worlds by H. G. Wells. As before, its format is progressive rock and string orchestra, using narration and leitmotifs to carry the story via rhyming melodic lyrics that express the feelings of the various characters. Due to the consistent popularity of the original album, Wayne decided to return to his score and re-create it for a new generation of audiences, as well as re-launch a live tour throughout the United Kingdom and Europe.
Part 1: The Coming of the MartiansEdit
In a prologue, the Journalist notes that in the late 19th century few people had even considered the possible existence of extraterrestrial life, and yet, planet Earth had in fact long been enviously observed by advanced beings.
The Journalist's account begins with the sighting of several bursts of green gas which, for ten consecutive nights, erupt from the surface of Mars and appear to approach Earth. Ogilvy, an astronomer convinced that no life could exist on Mars, assures the Journalist there is no danger. Eventually, something crashes onto Horsell Common, and in the resulting crater Ogilvy discovers a glowing cylinder, the top of which begins to unscrew. When this lid falls off, a Martian creature emerges. By now a crowd has gathered on the common, and when a group of inquisitive men approaches the cylinder they are incinerated by the Heat-Ray—an advanced Martian weapon. The Journalist flees with the crowd. Later, hammering sounds are heard from the pit. A company of soldiers is deployed at the common, and that evening an injured and exhausted Artilleryman wanders into the Journalist's house and tells him his comrades have been killed by fighting machines—tripod vehicles built and controlled by Martians, each armed with its own Heat-Ray. They set off for London—the Journalist to ensure his lover Carrie is safe, the Artilleryman to report to headquarters—but are soon caught in the crossfire between soldiers and Martians and separated. Three days later the Journalist arrives at Carrie's house but finds it empty. He resolves to escape London by boat and later catches sight of Carrie aboard a steamer, but the gangplank is raised before he can join her. Fighting machines then approach, threatening the steamer, but they are engaged by the Royal Navy battleship, Thunder Child and two are destroyed. The steamer escapes, but Thunder Child and her crew are melted by heat-rays, leaving England defenseless against the invasion.
Part 2: The Earth Under the MartainEdit
The wandering Journalist discovers that red weed—the vegetation that gives Mars its colour—has taken root on Earth and spread rapidly across the landscape. In a churchyard, he encounters the Parson Nathaniel and his wife Beth. The trio takes refuge in a nearby cottage that is soon surrounded by black smoke—a Martian chemical weapon. Nathaniel, driven mad by his experiences, blames himself for the invasion and believes the invaders are demons arising from human evil. As Beth attempts to restore his faith in humanity, a Martian cylinder crashes into the cottage and she is buried under the rubble. The newly arrived Martians construct a handling machine: a squat, spider-like vehicle used to capture and collect humans. After nine days hiding in the ruins, the Journalist and Nathaniel see the Martians 'eating'—harvesting human blood and injecting it into their own veins. Nathaniel resolves to confront the 'demons', believing that he has been chosen to destroy them with his prayers and holy cross. The Journalist knocks him unconscious to silence his ravings, but the Martians are already alerted. A mechanical claw explores the cottage and drags Nathaniel away. Eventually, the Martians abandon their camp and the Journalist continues his journey to London. He again encounters the Artilleryman, who is planning a subterranean utopia that would allow humans to evade the Martians and ultimately strike back with reverse-engineered fighting machines. The Journalist, however, realizing the Artilleryman's ambitions far exceed his abilities, soon leaves. Upon reaching London he finds it desolate and empty. Driven to suicide by intense despair and loneliness, he surrenders to a fighting machine but realizes it is inert, the Martian inside dead.
In his epilogue, the Journalist reports that the Martians were defeated by Earth's bacteria—to which they had no resistance—and that, as humanity recovered from the invasion, he was reunited with Carrie. But, he says, the question remains: is Earth now safe, or are the Martians learning from their failures and preparing a second invasion?
In a second epilogue set in the near future, a NASA mission to Mars flounders when the control center loses contact with the craft. The controller sees a green flare erupt from Mars's surface. Suddenly, the dead Fighting Machine on display in the control center reactivates by itself and fires a massive heat ray. The control center explodes...
The Cast Edit
- Liam Neeson as the Narrator
- Gary Barlow as the sung thoughts of the Narrator
- Rickey Wilson as the Artillaryman
- Maverick Sabre as Parson Nathaniel
- Joss Stone as the Parson's WIfe
- Alex Clare as the voice of humanity
- Lewis Macleod as the voice of the Martians
- Jerry Wayne as the voice of NASA, Jerry is also Jeff Wayne's Late Father
The Album uses the same recording of Jerry Wayne in the track 'Epilogue Part 2 (NASA)'.